Kent Pritchett - is a colorist of over 25 years. From Atlanta, his skill set took him to LA and then to Australia and New Zealand, before settling in the Bay Area. His time with Lucas Film/ILM, Disney Feature Animation, DreamWorks Animation and Autodesk Media and Entertainment, has given Kent a broad and impressive resume of film credits and expertise. Add to this a decade working in Hollywood and you have a reputable, talented colorist, and trusted resource for color consulting. Now a Dolby Vision Certified and the senior colorist for MasterClass, Kent brings hands-on expertise, a creative eye, and a behind-the-scenes knowledge of the film and post production industry.
Kim Salyer - is a pioneer in Bay Area post-production, founding San Francisco’s longest running Post House (1985-2011) and serving as Managing Partner, President and Executive Producer. Under his direction, Video Arts provided Color and Post for hundreds of Feature Films and Documentaries for some of America’s finest filmmakers, resulting in more than a dozen Academy Award nominations, and a host of other awards including National Emmy’s and Peabody Awards. Since 2012, Kim has continued to support filmmakers in getting their films ready for prime time, post-producing multiple winners at Sundance, Tribeca, Berlin, San Francisco and Toronto film festivals. As a co-founder and EP of Color A Go-Go, Kim has teamed with Kent Pritchett to re-imagine the post process, focusing on Color, VFX and Finishing services and collaborating with filmmakers, both local and international.
Mike Andriola - is a motion designer, specializing in VFX. He founded Graffects Digital Design and has worked on many fun projects from the launch of Adult Swim to the Olympic Games and even a Super Bowl ad. Early in his career he worked at ABC and Fox, cutting his teeth and winning several regional Emmy Awards for promotions of The Simpsons and Married With Children. His later career included work for Cartoon Network, TNT, TBS, TNT, TCM, and the 1996 Atlanta Olympic Games. When the opportunity to work with a broader spectrum of creatives from all avenues presented itself, he broadened his playing field to the corporate and online worlds, having had the pleasure to work with some like-minded creatives on projects for Logitech, Western Digital, Kaiser Permanente, Neato Robotics, Nickelodeon, Hipmunk, The Weather Channel, Verifone and Georgia Pacific among others. Strange fact about Mike: Most people think he's 6'2", but he's really only 5'8”.
Jess Antrobus - is new to California, and excited to be a part of the Go-Go team. She attended Alfred University all the way in western New York to study English and Communications. Whoever said English majors never get jobs was sorely mistaken! She has used her writing and social media skills to do consulting for a handful of companies and continues her work with Go-Go on a daily basis. Jess has embraced the trademark of her generation and enjoys using social media to connect and create. In her spare time she enjoys Netflix, writing letters and casual hiking.
Mike Burton - is a colorist and post-production specialist working in film and television for 15 years. He completed his BA at the Academy of Art University in San Francisco CA. As a colorist, Mike has worked on commercial, feature film, documentary and corporate projects with clients like, Apple, Inc, Hewlett Packard, Lenovo, Clif Bar, McDonalds, Jeep, Microsoft, Adobe, Nike, and many more. In 2010, Mike started Pretty Moving Pictures, LLC where he’s worked on standout projects like “Dead Man Down”, “Quitters”, “Chasing Mavericks”, “Into the Storm" along with a number of independent feature productions. Mike’s drive to create stunning imagery for the screen keep him passionate and humble.
Dave Franks - is a Los Angeles based Colorist and VR Stereoscopic Imaging Supervisor. Apart from his work with Color A Go-Go, Dave has most recently been working with Marvel Studios on-set and in post grading projects including: “Avengers: Infinity War,” “Guardians of the Galaxy Vol. 2,” and “Dr. Strange.” In addition to his creative eye for color and imaging, Dave has considerable experience in Visual Effects and Imaging Science, having worked in post-production on films such as: “Superman Returns,” “The Aviator,” and the Harry Potter series. Dave is a former stereographer with the Sony Pictures 3D Technology Center in Culver City, CA, educating industry veterans on advanced techniques in stereoscopic storytelling. He holds a degree in Optical Engineering from the Institute of Optics at the University of Rochester, and is an active member of the International Advanced Imaging and Visual Effects Societies.